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+ | juggling the demands of looking after my own family and household,lululemon sale, "Then a phone call from social worker she was to get some financial help they omitted to say it was for six weeks only and a list of care homes was left on her locker for us to deal with. 2010 6:34 pm ETit is sure thing now that joe cole and jermain defoe will go to newcastle united.<br> 2010 5:37 pm ETSergio Aguero to the Hammers – you heard it here first. Or take the Human Rights Act,Toms Shoes Outlet,24 hoursNorth Garde, Now is not the time to do a Nicolas Cage and freak out at our Doppelgngers, which is a pretty unique position."He said he and the other crew members were told that every Apollo crew had done the same thing. "What happened today is something that shouldn't have happened. but the team told me to turn the engine down. I’d like to make clear that I don’t actually consider Mumsnet to be malign, those chaps in the boaters are obsessed with gels. 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new works as I am that his creations still have the capacity to surprise him 'I've had fun over the last few months making these I really have' he says 'I did the first two together and I knew they worked but I didn't know if we could do any more And I say "we" because I have a team that works with me and I couldn't do it without them But I didn't know if I could find any more colours The red has been the hardest because it's so ultrasensitive that it just gets dirty and brown You get it wrong' There are paintings in this room too and some models of strange almost sexual landscapes in which the earth gapes into vast holes or rolls up into vast waves They might be the start of huge new landscape sculptures he says although they may also just be works in themselves 'I like making big things I think scale is a tool of sculpture But it's not really what it's about As you can see here most of what I do is human scale' The bigger the work is he points out the more he has to deal with committees politics and interventions from health and safety 'It's hassle Making big things is a nightmare' His most recent big project was the ArcelorMittal Orbit the 377ft 22 million red looping structure overlooking the Olympic Park in east London A collaboration with his friend the brilliant engineer Cecil Balmond it has not been instantly loved But Kapoor says he is fine with that 'It's a very risky object It's not attractive or it's not immediately pleasurable let's say Cecil and I were very clear that we did not want to follow in a tradition of tower making which is all about symmetry from Eiffel onwards We wanted to see if it was possible to make a truly 21st-century object a kind of deconstruction of a tower And I was amazed that they wanted to build it frankly Because it's pretty obvious from the start that this is an odd object' Like much of Kapoor's work seeing it from a distance and being near it or inside it are two different things and his view is that it's impossible to judge the Orbit until you've actually stood in it But with the whole area around it now closed for redevelopment it won't be until 2014 that most of us get a chance to experience it properly In 2010 he and Balmond unveiled Temenos a metal sculpture 164ft high made up of half a mile of steel cable It managed to be both massive and delicate and was situated just outside the football ground in Middlesbrough It was intended as the first of five projects they were to design together the second being a bridge in Hartlepool to aid the regeneration of the Tees Valley area but Kapoor says he doesn't know if work will ever start on the next of his Tees Valley Giants 'Here in London we live in a little bubble but I have good friends who live and work in the North East and it's hard to get across how devastated the area is by the Tory cuts What's happened in the last two years has completely changed the landscape and there isn't the infrastructure the resources to make anything work So I'm not surprised that art projects like mine have a hiatus But we'll see' His first big public work was Cloud Gate a vast shiny reflective silver bean completed in 2006 as the centrepiece to Chicago's new Millennium Park It cost $25 million all of it swallowed up in costs he stresses Public artworks like these are great for his reputation but they're not about making him money But for Chicago the investment was worthwhile 'What's interesting about that project is how property values have risen so massively in that area so in terms of the economic benefit to the city it's paid for itself a hundred times' Like most people who are passionate about the arts he is furious to see them slashed when times are hard 'Britain is f***ed Excuse my language But what it does have is two great great things: education and the arts And it underplays them astoundingly Banking is the biggest earner in the economy but the arts are the second biggest The truth of the matter is ministers will have meetings with people in banking every day of the week but do they meet people from the arts any day of the week or even once in their whole term It's just insane that we don't nurture and take forward this huge huge talent' He has been married to Susanne an art historian since 1995 Their children Alba and Ishan are now 17 and 15 and we talk for a while about how education too has changed with the emphasis on league tables and exams rather than on actual learning or following your passions 'We seem to have moulded the education of our children towards a goal This idea that you just do it because it'll take you to some place you don't know seems to have been abandoned It's a shame Now it's all about getting grades so you can get into a decent university That shouldn't be what it's about' He talks about his daughter and son lovingly but also carefully now that they're coming into adulthood to protect their privacy 'They're very opinionated They will say "Oh Dad your new drawings aren't as good as the old ones" And so they should' They keep him grounded he says and for him family life and thinking space has always been important: he meditates for up to an hour every morning and is disciplined about work He tries to be at the studio by 9am at the latest working until six every day But he never works in the evenings or at weekends 'Just the steady thing the sameness is important And I think it's important to have a lot of time away I take a lot of holidays when I do nothing But I can't do that for too long Two or three days and I'm bored to death' He can't imagine a point when he won't still be making new things 'I think to remain intellectually and spiritually alive for me this is a root If I stopped making work I'd just vegetate and get old I'm too restless really And also it's such fun' Anish Kapoor is at the Lisson Gallery 29 & 52-54 Bell Street London NW1 October 10-November 10 ()<br> made of tiny particles that he has found a way to apply without mixing, he was clearly affronted 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